The audience enters into a large room that is completely white except for the ceiling which is a kind of checkered black and gray.
There is a bright spotlight in one corner of the room and loud white noise emanates from speakers seemingly located in the floor.
For fifteen minutes the audience files in to the “theatre” and then the lights dima dn the music gets louder and then the lights get louder and the music dims and overhead a female voice is heard saying, “Emil, what the Fuck are you doing? Here let me do that. Chris, count it down again.”
The lights snap off and the music fades to a slow rumble before the audience is picked clean of all valuables by the crew, dressed entirely in black with ski masks and name tags. Then a laser pointer makes funny patterns on the ceiling overhead and random shouts are heard along with animal noises, loud guttural sounds, catcalls, slapping sounds and thumping from above.
When all subsides, a voice from above shouts, “T.A. T.A. T.A.”, “Salga de la agua” and “Puta que te barria!” and other non-sensical catchphrases in broken spanglish and, accompanied by kissing noises, pictures flash in rapid succession on the ceiling consisting of people kissing, farm animals, Bruce Lee, Jason and Freddy, clad in G-strings and tube socks flexing their muscles, and finally a picture of the Great Paul Stancato with a large red circle with a line through it running over his face.
The pictures cease and the audience stares at the ceiling in expectation for about five minutes of silence.
They shuffle their feet in barely suffused anger/patience.
One or two of them shout random phrases at the ceiling.
Someone, a male voice, shouts out, “Stop touching me.”
The audience snickers, and waits.
Finally, the music starts and a shadow is projected on the ceiling, SW. It is of Freddy and he is curled in a fetal position sucking his thumb.
The music continues under as Freddy changes to the shape of a young boy discovering why he is different than girls.
Suddenly small silver balls rain down on the ceiling and careen around wildly.
The audience gasps. Two girls faint.
SW, Freddy flips around and plays the game, “Where else can I stick my finger?”
He farts loudly.

Jason soars directly overhead and appears to have a conniption.
Strange bells and whistles are added to the music.
SW, Freddy is performing his signature “flailing limbs” move when he is jerked hard towards the boards and Carson is heard saying, “Hey, that’s my blue suit. Fuckin’ Freddy man, give me back my blue suit.” And Freddy disappears.
More silver balls and a few odd marbles roll around the ceiling.
The audience laughs uneasily.
NE, Oyzon appears wearing his trademark smile. His hair stands perfectly erect. He spins slowly.
Rose passes overhead, S to N, with her trademark smile and dangling arms. She flies back S, and when she reaches the boards we hear her loud laughter echo over the music. (She is obviously laughing at Freddy who is now naked, and Carson, who is putting on his suit.)
Mike appears in the SW corner in his popular expanding Penis shadow.
Jason flies directly overhead and appears to be flailing in pain.
SW, Mike’s expanding penis shadow reaches its apex and he subsides.
NE, Oyzon spins. Faster.
More Silver balls, marbles and ping-pong balls careen around the ceiling wildly.
Brooke, filling in for Rose who decided to “watch” the show, flies in a wide arc across the ceiling, S to N. On the way back she appears to be going backwards.
Carson now appears in the SW corner and, thinking the show will start over because HE wasn’t ready, goes into his fetal position.
NE, Oyzon elevates. And spins.
Silver balls, marbles, ping-pong balls and pool balls wrack around the ceiling bouncing wildly.
Jason flies out from the music in writhing agony and flies back in a classic Fosse pose complete with splayed fingers, bowler hat and cane. He completes his flight with a, “Hotcha!”
Hartzell inadvertently shouts, “Skidoo!” followed by Hallie with a, “Whopee.”
SW, Carson, realizing the show is not revolving around him, comes to his senses and, not knowing where the show is, rapidly goes through all of his beginning poses in rapid succession, at one point bouncing his head off the boards and screaming, “Sonas, show me your sonas!”
Silver balls, marbles, ping-pong balls, pool balls and bowling balls bounce on the ceiling in time to the music.
S to N, Marlyn flies across and catches a ping-pong ball, a pool ball, and a golf ball and tosses them to Tor who begins to juggle them with Amo who is juggling a chainsaw, a paperweight and his motorcycle.
Marlyn flies back, N to S and catches a baseball in her teeth.
NE Oyzon smiles.
And spins.
Mike, who has replaced Jason, whom monica took out of the show because she thought he was seriously ill, flies out from the music, pauses in mid-air to adjust his tie, and flies back in the shape of Robert Goulet.
SW, Carson whispers to Pacile who is pulling his line that he needs to be lower so the audience can see how great he is. Pacile, not understanding, pulls him in.
NE, Oyzon spins and, sliding down from the top of the rope, Amo joins him in their strange slow dance.
Joanne, making small bird noises resembling the southwestern Auk, flies about in the center, not knowing exactly what to do.
Abby flies out and rescues her.
NE, Oyzon and Amo disappear.
SW, Carson appears again, spinning very slowly and whispering incoherently about climber comprehension and pay rate.
Hartzell flies out from the music in the shape of a bird of prey. When he gets to the end of his swing he pinches his descender and swoops down on the unsuspecting Carson, gathering him up in his wingspan. They both disappear with a muffled, “Awk!”
Amo appears in the NE corner spinning madly like a top. Clipped in directly below him is Oyzon, still smiling and spinning slowly in the opposite direction.
Veronica appears in complete maternity harness and swims gracefully across the center, S to N. On the way back she gives birth.
Now Beach balls bounce about on the ceiling randomly hitting the performers.
The audience gasps in wonder.
Freddy appears in the SW corner and attempts to spin. He lies motionless at the end of his rope like a dead fish.
NE, Amo and Oyzon lock legs and reverse their spin.
Oyzon laughs once.
And smiles.

Harrison Ford appears on the ceiling, being chased by a big round boulder. He stops, adjusts his hat and blows a kiss to Abby and then disappears under the boulder.
SW, Freddy, still lying like a dead fish at the end of his rope, kisses for help. Carlos reaches out and smacks him. Freddy whimpers. And spins.
NW Oyzon smiles. And disappears with Amo in tow.
Fabio appears on top of the boulder and rolls around on it before he disappears wearing harrison’s hat.
SW, Freddy is pulled in toward the boards but he is still smarting from Carlos’ blow and he smacks into them with a thump.
Smoke fills the ceiling, looking like waves covering the performers.
George Clooney and Mark Wahlberg, in the audience watching, have flashbacks and begin to put on life preservers and shout at everyone to, “Batten the hatches” like they know what a hatch is.
They leave.
Trevor sails a small boat across the ceiling with Leo strapped to the front and, in a small voice, says, “King of the world, my ass!” The boat reaches the end of the ceiling and falls into the audience.
Hallie appears in the NW corner, gliding smoothly and singing softly in her punk rock voice, “…marry your mom and be your dad.”
Kira appears in the SE corner and flies at an odd angle in a straight line.
Globes roll across the ceiling in varying patterns.
The audience “Aahhhs.”
Abby glides across S to N wearing white lycra and a white coat and performs selectedmoves from her fifteen-minute aerobic workout video, now available at finer fitness centers and at HotNurseFreeman.com
Mike flies out on the SW corner, arms akimbo and does five original jumping jacks on the way back.
Amo appears, NE, and flies around making forlorn motorcycle sounds and wearing his helmet.
Jason pedals across the ceiling from the music to the canvas and appears to be riding a stationary bike on the way back.
NW, Hallie whips the ceiling with her hair. In her silhouette you can make out her spiked collar and leash.
SE, Kira, still flying in a straight line, hears a car drive by outside playing a house tune. She says, “Oohhh, that’s my jam, kid! She starts to shake her booty, fiercely.
Marlyn flies overhear, S to N and, not wanting to miss a good chance to show her stuff, shakes her groove thing along with Kira.
NW, Hallie now whips her hair, which is tied in a ponytail with a spike at the end, at the crewmember pulling her rope. There is a loud yelp and Hallie spins in larger circles.
Carson zips out towards the canvas mumbling incoherently in French. He zigzags back toward the music a la a flying fish.
East, Amo and Kira fly out toward each other and, both having pushed off too hard, 69 instead of kiss.
The audience “WOW’s”
SW, Mike flies out in a cartwheel flip. Not knowing the strength of his own powerful legs, he also has pushed off too hard and his rope wraps around Hallie’s, who whips him with her hair spike.
Marlyn floats across the middle, still dancing. She floats back S doing the Macarana.
E Amo and Kira are still in position. Amo’s leg twitches. Twice.
Above the music Hartzell prepares for his shadow. Trevor, seeing the mass of bodies tied up in the center, waves at Hartzell not to go. Hartzell, being the “New Guy” thinks that is his cue to go and zooms out, narrowly missing Kira and Amo, E, and landing squarely on Mike and Hallie, W. Hallie whips him her hair spike. Mike and Hallie begin to untangle. Hartzell climbs on top of them and leaps off the instant they separate. Hallie lights gracefully on the boards, NW. Mike lands not so gracefully on his head, SW. However, it being his head, he is OK.
Hartzell triumphantly beams as he glides back toward the music until he slams into Kira and Amo, giving Kira a black eye. Hartzell climbs on top of them and leaps for the music platform. Trevor laughs as Hartzell misses the platform with his hands and hits it with his forehead.
Merlin swings out from the bars and rescues him with a Toe Grab, hauling him in with ease.
